Extinction
Lynn Finger
Even though it’s still light, the moon rises like a shiny
hubcap over the mirrored office towers. We sit along
the Riverwalk, at a table on the patio, talk about the extinct
Ibex. We decide it’s good to feel alive when we review
the lives of the gone. The dusk’s soft edges sift the windows
of the buildings into glistening squares. Pedestrians
with small piebald dogs on leashes float by. We inhabit
the night like it’s an old sweatshirt. Butterflies gather wings
and tuck into the ferns in the nearby flower boxes to doze.
The ibex: a mountain goat with horns like giant half
wheels curled back, springs from our mouths, clatters
down the sidewalk. Early attempts to stave off that
extinction failed, they never could copy the original,
and don’t know why. But setbacks can bring intention,
figuring—what next? Each moment we bask in the high rises,
the poured concrete enclosures that guide the river,
the steel reinforced buildings that guide our roads, and
the aggregate and sand sidewalk that directs our steps,
will this all just pass and deflate, even as we enjoy
this budding night? We decide it’s too much to try
to settle right now, and we pause with our beverages
before calling it a night. The light from the streetlamps
glows as tourists in blue jeans walk by. Along the river,
the one lost crane flaps its wings, and shouts along the strand—
fills the whole concourse with its far-reaching screams.
Paean to city walking
Lynn Finger
My life in the city is spent waiting on corners for the light
to change, part of the function of a pedestrian. I put off
driving, it is hard to face the freeway, its skittish blinkers
and pelting cars. I walk to work, and then to lunch,
experience a surrounding slow-motion bubble of air
and gritty noise, as the cars sweep by to affirm that they
indeed are going somewhere. The number of cars that pass
me is more than cells in my skin, and I can sometimes see
the delicate creature inside the chassis that spins across
the roads. The times I am able to meet the drivers’ eyes
as they fly past, isn’t always zero, and I observe them
brushing their teeth at the wheel, or crying on the dashboard,
also memories of a bearded man with his head out the door
to see more clearly around his windshield, going sixty! I keep
walking, past the bread gallery, and jewelry outlet. A wagging
terrier greets me, and music from windows, Beethoven,
Brazilian, searing. After how many steps I take past
the park’s towering oaks, the city’s parking meters, and
the street’s green and red awnings, I finally stop at
the smallest café on the block, for one of their five
sandwiches. Today, egg salad.
Lynn Finger’s (she/her/hers) works have appeared in 8Poems, Book of Matches, Fairy Piece, Drunk Monkeys, and ONE ART: a journal of poetry. Lynn recently released a poetry chapbook, “The Truth of Blue Horses,” published by Alien Buddha Press. Lynn edits Harpy Hybrid Review, and her Twitter is @sweetfirefly2.