Feet-Off-Ground
Fran-Claire Kenney
I’ll remember it, the last time she
called the landline—June? June of 2020
and I, like a cautious seabird accepting
the sticky crumbs from our boardwalk
soft-serve cones, June of 2011, June
so we should see each other again, before
it gets cold, before we’re off to opposite ends
of the state of New York, for lemon-raspberry
water ice slurped up in the dim parking lot
near where we swim in separate lanes now
Paul McCartney’s latest trickled
out the window as we tried to discern
whether the man staring from the car by
the motel was moving his arm—she
drove me home from suburb to suburb
it wasn’t long past sunset, so we sat
for one hour more, door cracked open
as I leaned frozen in the second before
departing, like the night we lay on the blue
hood of her family’s camper, stargazing
June, 2011, we’d hopped up when a train
thundered past her house near the tracks
as we waited for me to get picked up;
we had this superstition born of recess,
you had to get your feet off the ground
—or some said you had to duck, curl up
into a little ball, but either way you’d be safe
there—making a choice, we sprung onto
the car hood as the SEPTA moaned ahead
and we stayed there, tucked under Orion’s Belt,
Little Dipper cradle, how lovely the very sky
that enveloped us in darkness was—June of
2020, June, something else entirely thundered
through our brain-frozen heads then, didn’t it?
I still shudder when I hear the Metro North
Fran-Claire Kenney is a writer and aspiring jack-of-all-trades based on Lënapehòkink. She recently graduated from Sarah Lawrence College, where she edited for the multimedia journal Love & Squalor. Her work has appeared in X-R-A-Y, Drawn Poorly, and Coffin Bell Journal, among other publications. You might spot her on Chill Subs or Twitter, but she will most likely be found knee-deep in the local creek with her dog.